This is part of the shift from artist as singular producer to critical making as networked assemblage, as nodes in a longer process of composing.
Notes taken while on residency with Amy Suo WU at Motel Spatie; Arnhem Presikhaaf 2020 January-February
Starbucks honours histories of migrant female labour with cuddly bears. Interesting, or total BS?
Product courtesy of Stevphen SHUKAITIS
From Migrants Pride 2018; Chater Road, Hong Kong, 17 November
Originally published in Kaifong Stories (2015), republished on Medium.com with minor edits by LEE Chunfung to commemorate the passing of SZETO Siu-Mei (1935-2020).
Kana shodo (translating as 'woman's hand') is a Japanese script parallel to 女書 nvshu but native to Japan.
A notepad is collaboratively administered by Elaine W. Ho, Fotini Lazaridou-Hatzigoga and Isabelle Sully, hosted on the server of disroot.org.
Recorded on April 19th, 2017.
The South China Morning Post posted two unrelated articles in their China Society section on the 7th of June, 2017, both unusual tales […]
“Tactics and Poetics of Invisibility”
Both money and time are ⚖︎ ♥︎ ♒︎ „spent” ☕︎ ☔︎ ✍︎ . To spend is the blossoming of the bouquet on its way towards death. Transactions „flower” and search for other values.
In a myth spun from the synthetic threads of the global supply chain, ZARA is a multi-headed hydra regurgitated from the dregs of fast fashion spectacle. Between the aporias of seamless production and logistical space she finds new positions from which to contest the neocolonial frontiers of substance and thought.
A a RADIO the ACTIVE – SINK and the SWIM Eleonore Project 2016 Summer Residency
3-5 August 2016, 00: 00-01: 30 nightly
Grannies say: WATCH US RAGE!
Raging Grannies strive:
- to be non-violent in all activities
- to court the press
- to shock with unladylike antics
- to be independent of any other organization
- to use street theater, humor, satire and props to get our message across: world peace, feminist values, social justice, and equal rights for all